Sony Professional Video

The Monitor Fleet

A working museum of Sony professional displays — broadcast BVMs, production PVMs, and the LMD generation that followed. Thirteen units across eight models.

The magazine

The magazine · Vol. 1

Trinitron FleetEight chassis, one issue

The full story of the fleet, told properly: an interactive magazine covering every chassis, the calibration work, and why these monitors matter. Future volumes will follow as the fleet evolves.

Read Vol. 1 →

The fleet roster

Every BVM and PVM on this page is in the Orlandu Registry, a serial-number census of surviving Sony monitors kept by their owners. If you have one, add it.

Sony PVM-2950Q 29-inch Trinitron production monitor lit at night running Super Mario World, its control panel and the SONY badge in frame
PVM · Production

PVM-2950Q

Twenty-nine inches of presence, the biggest tube in the room. On screen: Super Mario World, 1990.

The full profile →  ·  Feature in Vol. 1 →  ·  2 in the registry →

Sony PVM-20L5 multiformat Trinitron monitor lit and running Super Mario Sunshine, an AMS-100 audio monitor on top and both control strips in frame
PVM · Production

PVM-20L5

The late-generation 20-inch multiformat, AMS-100 riding on top. On screen: Super Mario Sunshine, 2002 — the year this generation of chassis arrived, at 480p over component.

The full profile →  ·  Feature in Vol. 1 →  ·  3 in the registry →

Sony BVM-20E1U broadcast monitor lit in its rack running Chrono Trigger, with an AMS-100 audio monitor speaker on top
BVM · Broadcast

BVM-20E1U

The primary broadcast chassis, AMS-100 riding on top. On screen: Chrono Trigger, 1995 — the year this chassis went into production.

The full profile →  ·  Feature in Vol. 1 →  ·  3 in the registry →

Sony BVM-A14F5U broadcast monitor lit and running Beggar Prince on the Sega Genesis, with its full control panel and an AMS-100 speaker above
BVM · Broadcast

BVM-A14F5U

Two of three card slots filled, control panel and keypad flanking the tube. On screen: Beggar Prince, 2006 — a brand-new Genesis game a decade after Sega walked away, on the last CRT generation Sony ever built.

The full profile →  ·  Feature in Vol. 1 →  ·  1 in the registry →

Three Sony LMD professional LCD monitors side by side, all showing the same cartoon frame
LMD · Four models · Nine units

The LMD wall

The flat-panel side of the fleet, and the confidence layer behind the tubes — one shared 8.4-inch chassis family, one manual, one job: keep every signal honest before it reaches glass that matters.

LMD-940W · widescreen 9-inch, HDMI to 3GLMD-9020 · the analog cornerLMD-9030 ×5 · the rack squadronLMD-9050 ×2 · HD-SDI

The full profile →  ·  Feature in Vol. 1 →

How every one of these actually gets a signal — the switchers, the SCART-to-BNC cables, and the distribution amp behind the LMD wall — is written up in The Signal Chain; the vocabulary — TVL, multiscan, BKM, loop-through — is in the glossary; which BKM card fits which monitor is in the BKM card reference. Recently departed: a BVM-14F5U and the nine-inch BVM-D9H5J found new homes — the fleet consolidates so the keepers get the attention they deserve.

The fleet, to scale

Every model drawn to Sony’s published width and height on one floor line, with an NES for size. The side view is the part nobody puts in words: a 20-inch BVM is deeper than it is wide, and the panel that replaced it is seven centimeters thick.

PVM-2950Q687 × 538 mm · 115 lbPVM-20L5452 × 414 mm · 68 lbBVM-20E1U444 × 414 mm · 82 lbBVM-A14F5U482 × 280 mm · 57 lbLMD-9020216 × 230 mm · 6.6 lbLMD-9030216 × 230 mm · 6.8 lbLMD-9050216 × 230 mm · 7.1 lbLMD-940W222 × 166 mm · 4.4 lbNES255 × 89 mm · for scaleone meter PVM-2950Q529 mm deepPVM-20L5500 mm deepBVM-20E1U570 mm deepBVM-A14F5U571 mm deepLMD-9020160 mm deepLMD-9030160 mm deepLMD-9050160 mm deepLMD-940W70 mm deep

Front and side elevations from the dimensions Sony prints in each model’s brochure or operation manual, without projecting parts. The BVM-A14F5U is drawn as its bezel inside the dashed 19-inch rack frame the U model ships in. The LMD-9020 and 9030 are shown on their supplied stands; the 9050 is one piece.

The fleet, side by side

Every model in the collection on one sheet — tube or panel, size, resolution, what formats it locks to, which inputs it carries and which need a BKM card. Pick any two to compare — the rows that differ light up. Click a column heading to sort; each model name opens its own profile page; the long-form spec table and its sources live in Trinitron Fleet, Vol. 1.

vs

See these two through the mask — scan lines, grille and resolution simulated from the same numbers →

ModelDisplaySizeResolutionFormatsHDRGB / componentSD-SDIHD-SDI / 3GOption slotsWeightDimensionsEraUnits
PVM-2950QPVM · CRTSuper Trinitron CRT29" (27" viewable)600 TVLNTSC / PAL / SECAMNoRGB (BNC)——None115 lb687 × 538 × 529 mm1991–19961
PVM-20L5PVM · CRTHR Trinitron CRT20" (19" viewable)800 TVL240p–1080i, 720pYesRGB / component, loop-throughOptional cardOptional card1 (BKM-129X fitted)68 lb452 × 414 × 500 mm2002–20071
BVM-20E1UBVM · CRTHR Trinitron CRT (E-grade tube)20" (19" viewable)1000 TVL240p, 480i, 576iNoRGB / component (fixed) + slotsOptional card—4 + fixed input82 lb444 × 414 × 570 mm1995–20021
BVM-A14F5UBVM · CRTHR Trinitron CRT14" (13" viewable)800 TVL240p–1080i, 720p, 24PsFYesVia BKM-68XVia BKM-61DVia BKM-62HS357 lb482 × 280 × 571 mm2003–20071
LMD-940WLMD · LCDTFT LCD (super-wide aperture)9" wide800×480 WVGASD + HD to 1080pYes—Standard3G-SDI + HDMINone≈4.4 lb222 × 166 × 70 mm2011–1
LMD-9020LMD · LCDTFT LCD8.4"640×480 VGASDNoComponent + RGB——None≈6.6 lb216 × 230 × 160 mm2005–20111
LMD-9030LMD · LCDTFT LCD8.4"640×480 VGASD + HD (component)YesComponent + RGBStandard—None≈6.8 lb216 × 230 × 160 mm2005–20115
LMD-9050LMD · LCDTFT LCD8.4"1024×768 XGASD + HDYesComponent + RGBStandardHD-SDINone≈7.1 lb216 × 230 × 160 mm2005–20112

This table as open data: JSON · CSV — CC BY 4.0, credit Orlandu’s Arcade. For AI agents →

Specifications are Sony’s published figures, compiled from operating manuals, brochures and the 2002–2003 line-up guide; weights marked ≈ are approximate. Dimensions are W × H × D from Sony’s brochures and operation manuals, without projecting parts; the BVM-A14F5U’s width is the 19-inch rack frame the U model ships in. TVL is Sony’s center-resolution spec for the CRTs; the LMDs are fixed-pixel panels, so they list native pixels instead.

Beyond video

Sony AMS-100

The audio side of the rack

Four Sony AMS-100 units, every one fitted with two input boards — three of them paired with CRT monitors. The AMS-100 monograph →

Sony AMS-3

The ancestor

An AMS-3 — the older, far heavier analog forerunner of the AMS-100, and about twice the machine to look at. It landed untested with a scratchy volume pot; that has been cleaned and it plays. For now it is in storage. See the bench log · see it next to an AMS-100 →

Seven Sony AMS-100 audio monitor speakers on arrival, lined up on a wooden bench
The AMS-100 lineup — mustered for inspection
The rear panels of both units: the AMS-100's SDI and option card slots above the AMS-3's speaker terminals and XLR input bank
Around the back — SDI and plug-in cards above, transformer-era terminals below
A Sony AMS-100 audio monitor speaker stacked on top of the much larger Sony AMS-3, both front panels facing out
Ancestor and descendant — an AMS-100 riding on an AMS-3. Stacked, in detail →
The same two Sony units from the side, the AMS-3's deep black heatsink fins running beneath the AMS-100's flat lid
In profile — the AMS-3's heatsink wall, and where the weight went